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One of the group’s hobby horses, is judged and then “killed” for its alleged sins. It is then “brought back to life” and a dance ensues, involving the onlookers. This custom has survived despite being banned in the 18th and smart cart 19th centuries by the Catholic Church and in the 20th by the Socialist government. It has now been recognised by UNESCO as an element of mankind’s Intangible Cultural Heritage. Also known as the “Doudou”, the Ducasse de Mons is a festival that takes place on Trinity Sunday in the town of Mons and consists of two parts. The second part, called the Lumeçon, depicts the combat of St George and the Dragon and features a large processional dragon with an enormously long, stiff tail.

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  • They have a head made of wood, or sometimes an actual horse’s skull is used; it usually has hinged jaws that can be made to snap.
  • The Marrett House example, however, comes from the early, prefactory tradition of the individual craftsman or small workshop.
  • This in-depth study features an illustrated essay and chronology that originally appeared in the exhibition’s educational brochure.
  • As the climax of the dance the fiddler would enter the circle of dancers and be imprisoned by their intertwined sticks; the dancers then, with wild cries, “cut off his head” and he fell to the ground.

These casual clothes are in worn condition for work in the stable. While I didn’t follow the exact directions for LightBlueGrey’s hobby horses, I do really love her pattern and would encourage you to check it out. In The Life and Opinions of Tristram Shandy, Gentleman, the characters’ hobby-horses, or particular obsessions, are discussed in detail.

Hobby Horse Pictures, Images And Stock Photos

Print art design gained an intellectual following starting with contributors of the Hobby Horse. Blond young woman from behind embracing her white horse in nature in Majorca. A little 19th century boy dressed as a pirate riding a hobby horse and chasing ducks down a country lane. From “Schnick Schnack – Trifles for Little Ones” published by George Routledge & Sons, London, 1867. Vector banners/illustrations set of Christmas and winter holidays decorations with toys and sweets in simple modern design. Finland is quickly becoming the global King of unusual hobbies and wacky sports– everything from air guitar championships to mobile phone throwing.

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Peckham’s close attention to furnishings is seen in the carefully depicted woodgrain of the cradle, the brightly colored carpet, the tack-decorated trunk bearing the initials “O.A,” and the family record hung on the wall. As in several other works by Peckham, the children are posed before a door, but this one is open to reveal a landscape outside the window, an unusual element for the artist. The scene would have been familiar to Peckham since he and his wife lived in Bolton from 1816 to 1819.

I stuffed two socks FULL of my pillow fluff, and then chose a color of chunky yarn for the mane. I threaded my large-eyed needle, and poked it through the center top of the sock. Then I tied a knot in the center of the yarn segment, and cut it so that equal lengths hung from both sides of the knot.

The men sing the Poor Old Horse song and the horse snapped its jaws at the end of each verse. The custom as now performed in Richmond Market Place around midday on Christmas Eve involves the horse’s “death and resurrection” . A similar creature, the Mari Lwyd (“Grey Mare” in English), also made from a horse’s skull, with a white sheet attached, took part in New Year house-visiting, luck-bringing rituals in south-east Wales. Gaining access to the house was a challenge; the Mari Lwyd party and those in the house took turns to improvise verses of a song.

Several sellers of toys and woodenware advertised rocking horses in the late 1850s, and a number of companies, including Massachusetts toymakers Morton E. Converse in Winchedon and Whitney-Reed in Leominster, produced rocking horses in the later decades of the nineteenth century. The Marrett House example, however, comes from the early, prefactory tradition of the individual craftsman or small workshop. Inscribed on one of its rockers with “Herman & Co/ No 166 Washington Street. / Boston,” the horse appears to be the produce of Ferdinand Herman, listed in the Boston directories at that address in 1857–1860.

The frame has a carved wooden head, often with snapping jaws attached to it at one end, and a tail at the other. The “rider” may wear a cape or other flowing costume to help cover the frame. In the most elaborate versions, fake legs, meant to be those of the rider, hang down the sides of the skirt, though this seems to be a fairly recent development.

The artistic movement, Dada, is possibly named after a French child’s word for hobby horse. Larger figures of mules are also found in several places, carried by two performers whose legs are visible beneath a skirt hanging from the animal’s hollow body. In addition, dragons of various sorts are also popular, as are bulls, eagles and lions; many have fireworks attached to them, or set off around them. The Poulain carries two effigies on its back, one male, one female, called Estieinou and Estieinette . Although the first written reference to the Poulain is from 1615, the creature is supposed to commemorate a visit to the town in 1226 by Louis VIII, during which the king’s favourite mare fell ill.

She had to be left behind in Pézenas while Louis continued with the Albigensian Crusade. On his return he was astonished to find that not only was his mare now fully recovered, but she had also given birth to a fine colt, which was duly presented to him, adorned with ribbons. In return he decreed that the town should construct a wooden colt to be used to celebrate all its public festivities .